Sharpen your video editing skills with this in-depth tutorial on Premiere Pro, covering topics such as importing files, creating a sequence, and understanding timecode. Ideal for individuals seeking a career in video editing, this tutorial provides step-by-step instructions to help you master a common task for video editors - the one-person on camera interview.
Key Insights
- Topics covered in the tutorial include Importing Files, Organizing the Project, Creating a Sequence, The Editing Workspace, and Timecode.
- The main exercise involves working on a one-person on-camera interview project. Here, the speaker explains his background in design, changes in the industry, and the software that designers use.
- Understanding A-roll and B-roll footage is crucial for video editing. A-roll is the main footage (like an interview), while B-roll is supplementary footage used to cut away from the A-roll.
- In Premiere Pro, a sequence is where you assemble your assets. It can contain any number of video, image, and audio files. Any footage added to a sequence has to match the sequence settings.
- Timecode, written as hours:minutes:seconds:frames, is used in professional video editing apps like Premiere Pro to navigate both the main timeline and the timeline within video/audio files.
- The video editing process also involves renaming and reorganizing files and folders for easy navigation and efficient workflow.
Dive into the intricacies of Premiere Pro with this detailed tutorial, covering everything from importing files and organizing projects to creating sequences and understanding timecodes.
This exercise is excerpted from Noble Desktop’s Adobe Premiere Pro training materials and is compatible with Premiere Pro updates through 2023. To learn current skills in Premiere Pro with hands-on training, check out our Premiere Pro Bootcamp, Video Editing Certificate, and video editing classes in-person and live online.
Topics Covered in This Premiere Pro Tutorial:
Importing Files, Organizing the Project, Creating a Sequence, the Editing Workspace, Timecode
Exercise Preview
Exercise Overview
In this exercise you will start working on a very common task for the video editor, the one-person on camera interview. In this project the speaker (Dan Rodney) gives a short explanation of his background in design, how the industry is changing, and some of the software that designers use.
Previewing the Final Video
Let’s see a preview of what you’ll be making. If you’re in Premiere Pro, keep it open but switch to your Desktop.
On the Desktop, navigate to Class Files > Premiere Pro Class > The Interview > Preview Movie and double–click Interview—Dan Rodney.mp4.
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Notice the following:
- This video is a single person on camera documentary style interview.
- Every so often the video cuts away from the “talking head” to show some footage of what the speaker is talking about.
Replay the video if you need to. We’ll be reproducing it in a series of exercises.
Close the video when done.
Getting Started
Switch back to Premiere Pro (relaunch it if needed).
In Premiere Pro, choose File > New > Project (or click the New Project button on the left side of the Home screen).
At the top left, for Project Name type in Your Name—The Interview
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Click on the Project location menu and select Choose Location.
Navigate to Desktop > Class Files > Premiere Pro Class and select The Interview folder.
Click Choose (Mac) or Select Folder (Windows).
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On the right side of the window:
- Turn off Copy media.
- Turn off New bin.
- Turn off Create new sequence.
NOTE: These switches remember how you set them the last time you created a project.
Click Create (at the bottom right).
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Lets make sure we’re all using the same interface.
Choose Window > Workspaces > Editing.
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Choose Window > Workspaces > Reset to Saved Layout.
This resets the interface to the default editing workspace and ensures all your panels are returned to their default locations and sizes.
Importing Files
Before you can work with video, images or audio in Premiere Pro you have to import your media files. You can import individual files one at a time, groups of files in the same folder and even entire folders and their sub–folders.
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Now it’s time to add files to your project. Choose File > Import.
TIP: You can also use the keystroke Cmd–I (Mac) or CTRL–I (Windows) or open the Import dialog by double–clicking on any empty area of the Project panel.
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Navigate to Desktop > Class Files > Premiere Pro Class > The Interview and:
Click once on the Media folder to highlight it (do NOT go into the folder).
Click Import (Mac) or Import Folder (Windows).
NOTE: When you import a folder, Premiere Pro imports the folder, its content, and all sub–folders/contents and converts them into bins in Premiere. There is one exception, folders with only one item will not be converted to bins but the file will still be imported.
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In the Project panel, click the list view button
at the bottom left.
NOTE: List view makes working with bins (Premiere’s name for folders) much easier.
In the Project panel, use the arrow
to expand the Media bin.
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Drag interview_audio.wav to the New Bin
button on the bottom right of the Project panel.
- Rename the new bin 02—Audio.
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Click on the Video bin and press the Return (Mac) or Enter (Windows) key to make the name editable.
- Rename this bin 01—Video
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Click on the Images bin and press Return (Mac) or Enter (Windows) to make the name editable.
- Rename this bin 03—Images
Use the arrow
to expand the 01—Video bin.
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CTRL–click (Mac) or Right–click (Windows) on the Main Interview.mp4 clip and choose New Bin From Selection.
- Rename this new bin A—Roll
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Click the arrow to collapse the 01—Video and 02—Audio bins. Then:
- Drag all three sub–bins (01—Video, 02—Audio, and 03—Images) out of the Media bin.
- Click on the Media bin and press Delete (Mac) or Backspace (Windows).
At the top of the Project panel, click on the Name column header to sort by that column.
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Drag the divider between the Name and Frame Rate headers to the right to make the Name column wider.
This will make it easier to read long clip names.
Choose File > Save or Cmd–S (Mac) or CTRL–S (Windows) to save your project.
A-roll and B-roll
A-roll and B-roll refer to two different types of footage used in video editing. A-roll is typically the main footage that is being used in a video such as an interview or a scene from a movie. B-roll is supplementary footage that is used to cut away from the A-roll and can include things like establishing shots, or additional footage that is used to enhance or illustrate the story being told in the video. The goal of using B-roll is to break up the monotony of watching one shot for too long and to help create a more dynamic and engaging video.
Creating a Sequence
A sequence in Premiere Pro is where you assemble your various assets together. It can contain any number of video, image, and audio files that you need to complete your editing tasks. A sequence has properties such as dimensions, frame rate, pixel aspect ratio, etc. Any footage added to a sequence has to be conformed to match the sequence settings. Usually we create a sequence from whichever clip represents the majority of our footage.
In the Project panel, use the arrow
to expand the 01—Video > A-Roll bin.
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From the A-Roll bin, drag Main Interview.mp4 into the empty Timeline panel to the right.
This creates a new sequence based on the settings of that clip.
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Hold Shift and press the + (plus) key to expand the height of all of the video and audio tracks in the Timeline.
NOTE: Pressing Shift and + (plus) enlarges all the tracks while Shift and – (minus) reduces the heights of all the tracks on the timeline.
You can also enlarge the video or audio tracks using the vertical scroll bars on the right of the Timeline.
Individual track heights can be resized by dragging their border up or down in the track header section on the left of the Timeline.
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Let’s pull our new sequence out of the folder.
In the Project panel, drag the Main Interview sequence (NOT Main Interview.mp4) out of the A-Roll bin and into an empty area of Project panel.
CTRL–click (Mac) or Right–click (Windows) on the Main Interview sequence and choose Rename.
Rename the sequence Interview—Dan Rodney.
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Click into the Timeline panel, then hit Spacebar to start playing the video.
Hit Spacebar again to stop the video.
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Choose File > Save or hit Cmd–S (Mac) or CTRL–S (Windows).
Keep the project open because you’ll use it in the next exercise.
Understanding Timecode
Timecode is written as hours : minutes : seconds : frames So 01:02:03:04 is 1-hour, 2 minutes, 3 seconds, and 4 frames.
Professional video editing apps like Premiere Pro use SEMPTE (Society of Motion Picture and Television Engineers) Timecode to navigate both the main timeline as well as the timeline within video/audio files. Timecode counts up from right to left. Frames add up to make seconds, seconds make minutes, and minutes make hours. The number of frames in a second is based on a frame rate, which is measured in FPS (Frames Per Second).
Sometimes you will see timecode written with colons separating the numbers and sometimes you will see semi–colons. This is a visual indicator that you are either in non–drop frame (colons) or drop frame (semi–colons) timecode. The difference will be discussed in later lessons.