Learn how to apply tile patterns across a range of architectural elements, including walls and partitions, through a step-by-step process that emphasizes precision and attention to detail. This article provides a comprehensive guide for understanding how to effectively implement these design features in your architectural model.
Key Insights
- The article details the importance of precise measurements when applying tile patterns to architectural elements, such as walls and partitions. The writer demonstrates how to maintain accuracy by using the split face command and adjusting boundaries as needed.
- The tutorial also highlights the importance of being mindful of your environment when applying tile patterns. Inadvertently adding lines beyond the intended area could lead to design discrepancies. Thus, it's essential to visualize and understand the space before applying the pattern.
- Lastly, the article mentions the significance of efficiency in the design process. This includes double-checking the chosen material before painting and recognizing patterns to avoid repetitive tasks. The guide emphasizes the importance of an organized workflow in achieving a consistent and impressive architectural model.
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I'm going to continue on with the same process, but adding the tile pattern to the rest of our walls here. And so I'll add it to this wall, which is the sidewall back behind by this toilet. And it looks like we're seeing the toilet and the urinal here, but it's because we're kind of looking through our toilet partition.
And so again, I'll just use the split face command. And since we know all three of the ones that we want to do here, we're going to have the one wall at five foot six. And you can see here, this wall is much larger because we're looking at the men's room east elevation, which is going to be this entire wall here.
And so I don't want to go all the way down across it, but I do want to take it from say this point all the way to this point here. And I don't know exactly where that's going to be, but I definitely don't want to draw this all the way down and across because that's going to take me all the way into the lobby here. And so when I look at the breakdown of how this wall is actually drawn, you can start to see that you can inadvertently add more of these lines than you really intended to.
And so I need about 20 feet. I don't think that's exactly it, but I can adjust it as I need to in this women's 202 room or 102 room here. And so I'll draw the first one across here and I'll just go to 20 feet and then down.
And that gives me the boundary that we were talking about here. And so if I were to finish that sketch, you can see I've got one area split here and I didn't have the right height, so I should fix that. And so we want that at five foot six and then I can split it again.
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And now it's kind of its new boundary, so I can draw in the one foot line for our band across the top. Got pretty close there, but not exact. And then I can draw the base, the six inch base across the bottom here.
And it's important that I close those lines off. And you'll notice that we had to do it in two parts because this boundary here wasn't a clean break between our wall. And so that's what makes it a little bit different from the other one.
And so when I finish that sketch now, I got the three different panels that we can fill in. And then when we look here in the women's restroom, we have the same thing because those are already there, because it was all part of the same wall. When I go in and now paint them, this is why I don't like to use select by face because you accidentally double click on things that you weren't planning on.
But now when I go to paint them, I can double check which material I have. And so this is my base material because that's the last one we used. And then I can kind of work my way back and paint those three materials.
And you can see it's been applied to both views here. And so just got to clean it up a little bit. And looks like we got pretty lucky on the way that that worked itself out.
And so those those are now set up to work pretty well with each other. And we can kind of do the same thing as we go across. And so the other different option that we're going to look at here is for the walls that are not a wet wall.
When we look at the men's south elevation, which would be here, we're going to apply tile to this wall here and this wall here. But we're only going to put tile base on this wall where the door is and the sidewall along the sinks because money does not grow on trees. We're going to go ahead and do the same split option.
And when we look at this wall, it is just it's one piece here. We don't have to worry about it doing the same thing on this one. This was a unique case that we went through.
We'll start with just applying the base. We'll use the split face again. And then we can just draw in the portion here.
And this small portion here. And just need to double check the dimensions. Again, super close, but not exact.
And then I'll finish that sketch and then we can paint the rest of it in. And you can see this one was hoping to have something happen here, but that wall and the way those two joined didn't resolve itself the way that I was hoping it would. So that's okay because we can do the same thing on the side of the wall here to show that the base is continuous across the bottom there.
And so we could go ahead and use the split face on this back wall here and draw it in to block this out. And then come back and do the painting so that we can remain somewhat efficient. And so you can see we've got the pattern established here.
I can finish the sketch and then I can go back in and I can paint. And so I always look to see which material I have. That's the four inch one.
This would be the four by eight. And then we've got the six inch, which goes into both of these. And so it's important to double check to make sure you've got your pattern set the way that you want it to because it should flush out just based upon how we've drawn this.
And everything looks pretty good here. I'm just going to move that over. And there we go.
And I'm going to go ahead and then do that for the rest of my restroom walls remembering that the one at the door and the one adjacent to the door are not going to get the tile like we have shown here.
